these have enough pixels per inch to be legible, but are still very noticeably rough; contact me for better-quality (i.e. higher resolution) printouts.
Here are pages 1, 2, 3, and 4 of my Agnus Dei setting for unaccompanied mixed choir. First performed by the Harvard-Radcliffe Collegium Musicum under J.Marvin in its 1993-4 season.
Here's my "Idee Fixe", a short passacaglia in G-Locrian for unaccompanied B-flat clarinet.
Here are movements
of my canonic sonata for two violins, first performed by Sophia Vilker
and Steven Frucht at the Longy School of Music in 1995. Originally
written for two violas (in the same key but generally an octave down)
as a birthday present for my sister Galit, as a sort of seventh of
Telemann's six essays in the form, which I'd been hearing her practice
a bit too often.
The score follows the usual notational practice for such pieces: only one line, played by both players, is printed; in each movement, the second player enters at "2.", and stops at the fermata.
Here's my arrangement for unaccompanied men's or mixed choir of Fair Harvard, as performed Dec.96 by the Harvard Glee Club under J.Marvin at the Kennedy Center (and, I'm told, by the Harvard Din & Tonics on another occasion). So far the Glee Club has yet to perform my derangement [sic] of the Yale alma mater...
Apropos Harvard songs: Here's the edition of the Glee Club's arrangement of the football/fight songs Ten Thousand Men of Harvard, Yo Ho, Up The Street, and the medley of Harvardiana, Gridiron King, and Soldiers Field that I put together for the HGC's 150th anniversary reunion in April 2008. These reflect our performance practice of the mid to late 1980's, for men's chorus and one piano four hands (except for Ten Thousand which is accompanied by a single pianist).